[Marvin Mattelson]

Edges are just one of the multitude of weapons in the artist's arsenal. Unfortunately, most artists today don't seem to understand there is more than one way to skin a cat. This is tragically short-sighted to consider vigorous edge handling as more superior than any other arrow in the quiver. Any technique that is overdone can easily become boring and mundane.

There are numerous ways to create depth and atmosphere without overdoing or abusing edges. Bouguereau's edge handling was very subtle and if you would closely examine the painting you would undoubtedly discover subtle variations. However if one has become accustomed to the typical broad impressionistic handling of edges of many Sargent wannabes, Bouguereau's are easily overlooked.

To have the skill to create such convincing illusionistic deceptions without resorting to heavy edge manipulation is the artistic version of beating up someone with one hand tied behind your back.

I am always amused at those who summarily dismiss this great master, who in my opinion was the most creative pictorial innovator in the history of western painting. To dismiss this rarest of geniuses on the basis of his subject matter is to deny oneself the opportunity to appreciate the art of painting taken to the Nth degree.