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Yet
Both are believable and yet I know that Zorn unified his work with a very limited palette and ignored many tangent colors.
Here's Sargent with even less light. This soft warm glow allowed very rich color. As we all know, he painted on this 12 minutes at a time for two summers, every pleasant evening, slowly getting precisely the colors he saw. For me it gets no better (although this is a regrettable jpeg.)
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