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Next...
Next is composition.
I need to work on creating fields in which multiple elements interact harmoniously while promoting the messages of the painting. In this picture composition was not an issue. I could only tackle the treatment of the skin and the clothing - and THAT was quite plenty for me.
Now I'm going to need traction on all wheels as I shift to the task of painting Portraits, of which rendering faces and wrinkles is but a small part.
That is where things get interesting, isn't it?
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