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Like Schmid says, It's all in the drawing. If you can work a solid drawing (the color shapes and their position and orientation), you'll have a much better chance of arriving at a reasonable result. We tend to forget the drawing because the task of getting the color, value, comp, etc., is so daunting. Back to the original preocupation. GET THE DRAWING RIGHT, and you'll have much more latitude to screw around and get away with it.
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